Friday, 16 October 2015
Put the single story to bed
IT was a good week for those of us listening hopefully
for the recognition of new voices in world literature.
Marlon James
became the first Jamaican born winner of one of the world’s most highly
regarded literary awards, the Man Booker Prize.
His winning
novel A Brief History of Seven Killings traces a
murderous lineage in Jamaica and the United States which began with the
attempted murder of Bob Marley in 1976.
James, who
teaches creative writing at an American college, received the prize along with a
big bauble of £50,000 Great
Britain pounds (J$9.2 million Jamaica dollars) at a black-tie dinner at
Guildhall in London.
But the glitz and the gold could not cover
the irony that James in hoisting the trophy above the stage would be looking down
on some of the publishers who collectively rejected his first novel John Crow’s Devil, 78 times, before it
was eventually accepted in 2005.
The moral to the tale is, to my mind, not perseverance,
essential though that is to a successful writing career. But the take-home from
this episode is it was a leap on the way to putting the single story to bed.
In a TED talk closing in on two-million views,
Nigerian author Chimamanda Ngozi Adichie reveals the danger of the single
story. I will place the link toward the end of my single story so we don’t lose
track of where I am heading.
The Nigerian
author tells of the danger of the single story through a series of amusing
anecdotes.
One of the
first is of how Adichie grew up on a diet of English children’s books where
people ate apples, drank ginger beer and talked incessantly about the weather,
Adichie
points out she loved these stories as they were an introduction to the glory of
books but they were alien to her experiences in Nigeria.
It is
important that she enjoyed the stories because it suggests readers drowning in
one story will likely embrace the lifeline of a foreign voice such as Adichie
or James or even a Bent Banana Books author.
Of course
some readers are lost causes. One reviewed an eBook by Bent Banana Books author
Jane Sharp, giving it one star. The reviewer warns readers Vision the Reluctant Psychic is not set in the U.S. It is set in England,
she cries. Vision is actually set in Australia but you cannot expect precision
from a literary bigot.
My own novel
Iraqi Icicle drew a friendlier reference
to exotic Aussie slang from a US reviewer. “Seriously,
at one time I had dreams of going to Australia. Thinking they spoke English...,”she wrote before
awarding the novel 5-stars, praising it amusingly. "I
told you (character) Steele (Hill) was weird, and so's the author...I
like weird..."
Literature often
has two quite opposite purposes. One is to explicate the world which the author
shares with readers. The other is to propel the imagination to fabulous artificial
territories and experiences.
Melding
these two strands can create books of unexpected joy for the reader.
Buy a Bent Banana
Books eBook now from our website to go on a different journey.
bentbananabooks.com
As promised
here is the delightful Chimamanda Ngozi Adichie warning of
The Danger
of a Single Story.
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